Vitae

Programming, Editing, Blogs, Etc.

#100hardtruths-#fakenews: a primer on digital media literacy, 2017-present. scalar.usc.edu/nehvectors/100hardtruths-fakenews

Ev-ent-anglement. 2015-present. Ev-ent-anglement.com and cells.ev-ent-anglement.com.

Fake News Poetry Workshops as radical digital media literacy given the #100hardtruths of Fake News. fakenews-poetry.org

Feminist Online Spaces. 2011-present. www.feministonlinespaces.com

Media Praxis Professional Blog. Summer 2007-present: www.aljean.wordpress.com

YouTube: Fall 2007-present: www.youtube.com/mediapraxisme.

MEDIA PRAXIS: A Radical Website Integrating Theory, Politics, and Production: www.mediapraxis.org

FemTechNet: Distributed Open Collaborative Course: femtechnet.org

Alex Juhasz on Vimeo

Creativity and Innovation Course Planning Grant Award, Claremont Colleges, 2015.

Pembroke Center for Research on Women, Technology grant for FemTechNet, 2013.

Canadian Research Council, symposium support, FemTechNet, 2013.

UC HRI Working Group Grant, FemTechNet, 2012.

Mellon Local-Global Curriculum Development Grant: Feminist Dialogues on Tech., 2012.

2011 BLAIS Challenge Award: Feminist, Anti-Racist Networking, 2011-12.

Researcher, Getty Funded Exhibit and Publication, for Pacific Standard Time: The Art of the Woman’s Building, 2009-10.

Fellow: NEH Summer Fellowship, USC’s Institute for Multimedia Literacy, 2009.

Changemaker’s Grant: Media Praxis class, 2008.

ACE Fellow in Academic Administration: Fellowship finalist, 2005.

Project Pericles: Course development for “Video and Diversity,” Summer 2004.

Pitzer in Ontario Teaching Grant: course development, Summer 2003.

NEH Summer Seminar: Punishment, Society and Culture, Amherst College, 2002.

Mellon Intercultural Learning Through Technology Grant, 2001.

CCCSI: Summer Research Grant for Community Video, 2000.

Mellon Project of the Claremont Colleges: Summer Research Grant, 1997.

Irvine Enterprise Award for Service Learning: To support participation in “ISM.” 1 of 12 schools selected for national Ford Foundation funded project, 1995.

Mellon Fellowship: Bryn Mawr College, 1994-95.

The Lyn Blumenthal Memorial Fund for Independent Video: Criticism Grant for the completion of the article “Body/Image in Women’s Video.”

Society for Cinema Studies: Dissertation Award, First Place, 1993.

Amherst College. Copeland Fellow for dissertation research and writing. A residential fellowship for the Spring term, 1991.

New York University. Jay Leyda Memorial Award, 1988; Lew and Eddie Wasserman Scholarship, 1986-87. Teaching and Graduate Assistantships, 1987-1990.

Amherst College. Henry P. Field and Amherst Memorial Fellowships, 1986-90; George Rogers Taylor Prize, 1986. Phi Beta Kappa. Summa Cum Laude.

PAM Residency: with Laila Shereen Sakr, 2015.

Wexner Center for the Arts: Editing Fellowship for SCALE: 2007.

Columbia College Institute for Women and Gender in the Media and Arts. Research grant for SCALE: 2007.

Nominee: Rockefeller Media Arts Fellowship (1994, 2000, 2002) Alpert Award in the Arts (2003)

C-100, Inc., Production support for Released: 2000.

Astraea Fund for Women: Post-production grant for Women of Vision: 1998.

California Council on the Humanities: Research Award for Women of Vision: 1994.

Academy of Motion Pictures Arts and Sciences, Second Place in Student Documentary for Safer and Sexier: A College Student’s Guide to Safer Sex: 1994.

Philadelphia Independent Film and Video Completion Grant: 1992.

New York Foundation for the Arts. Video Fellowship: 1991.

New York Council for the Arts. Distribution Grant: 1991.

Women Make Movies. Editing Award: 1990.

New York Council for the Humanities. Pre-Production and Production Grants: 1989-90.

Astraea Fund for Women. Production Grant: 1990.

ArtMatters. Production Grant: 1989.

Global Village. Artist-in-Residence Grant: 1988.

International Film Festivals: Sundance, Berlin, Toronto, Hong Kong, Creteil, Seoul, Flaherty.

Gay and Lesbian Film Festivals: New York, LA, San Francisco, Toronto, Torino, London.

Museums: The Whitney Biennial, Guggenheim, New Museum, Museo del Bario, LACE, London ICA, Wexner Center for the Arts.

TV/net: Sundance, BET, IFC, Free Speech TV, kcet.org/explore-ca.

PerpiTube: Hyper-Modern-Post-Alter-Anti, CAA video-art show, 2012.

The Owls: Berlin, Palm Springs, LA/SF/NY Gay and Lesbian, 2010.

SCALE: London Gay and Lesbian Festival screenings, snagfilm.com, FreeSpeech TV, 2008.

Video Remains: MIX, New Fest, Outfest, London G & L, Flaherty Seminar, Exit Art, Art Inst. of Chicago, Silverlake Film Festival, colleges, kcet.org/explore-ca, 2005-06.

Dear Gabe: Seoul International Women’s, Berlin Lesbian Film Festival. New York, San Francisco, Los Angeles, Rochester Gay and Lesbian Film Festivals, 2003. REEL Mothers, 2009.

Naming Prairie: Official selection, Sundance 2002. New York, Toronto, San Francisco, Los Angeles and Miami Gay and Lesbian Film Festivals. Cleveland Int.

RELEASED: grassroots distribution to prisoners and prison rights orgs. Free speech TV.

Women of Vision: Cal Arts, Occidental College, USC, University of Massachusetts, Johns Hopkins University, Creteil Women’s Film Festival; New York, Toronto, San Francisco, Los Angeles and Tampa Gay and Lesbian Film Festivals.

Safer and Sexier: Distributed to college AIDS peer educators nationwide.

WE CARE: Donnell Media Center’s “Meet the Maker,” The Brooklyn Museum, The Whitney Museum, WNET’s “Independent Focus,” Women in the Director’s Chair Festival, Museo del Bario Festival, 50 community screenings in New York City, 500 free tapes distributed to AIDS service organizations nationwide with NYSCA grant.

Women and AIDS and Prostitutes Risk and AIDS: The New Museum, Dia Art Foundation, London’s Institute of Contemporary Art, Ohio State University “AIDS: The Artist’s Response,” The Hong Kong and San Francisco Gay and Lesbian Film Festivals, The Kitchen, Hall Walls Gallery, DCTV, national and international AIDS conferences.

Self Protection: Included in Video Databank’s collection of Reproductive Rights Videos.

• Presidential Search Committee, elected faculty representative: 2015.
• Director, MCSI: 2013-2016.
• Pitzer Representative to Digital Humanities Mellon Grant Steering Committee.
• Pitzer Representative to WitsOn: online mentoring for women in STEM.
• Advancement, Promotion and Tenure: elected committee, 2008-10.
• Chair, Diversity Committee: 2004-5, 2011-13.
• Co-chair, Policy Task Force on Affirmative Action.
• Chair, Committee on Campus Climate and Civility: 2004-5.
• Co-chair, Ad-hoc Committee on Educational Objectives, 2004-5.
• Trustees Committee on Social Responsibility: 2004-5.
• Elected to Faculty Executive Committee: 2000-2002.
• Diversity Committee: 2001-02.
• Academic Standards Committee: 1999-2000.
• Chair, Academic Events Committee, 1996-97; member 1995-96.
• Voting member, Gender and Feminist Studies field group, 1995-7.
• Founding member, Inter-collegiate Media Studies group, 1995-present.
• Founding Member, Lamda Committee on GLBT of the Claremont Colleges, Spring, 1997.
• Screening Series, Organized and Funded:
• Pitzer Cinematheque (funded by the Pitzer Forum 2001-03), Imagining Labor (the Forum,
• 2001-02), F is for Phony (the Forum, 2000), InMediate Future (Weigund Grant, 1999)
• Alumni in Media, Day-Long Conference, 2001.
• Presentations: Alumni Weekends, Parent’s Days, 1995-present.

• Haskins, “African-American Women and Sport, Digital Stories,” (2017, Claremont School of Theology)
• Jensen. “Asian-Americans and Online Media Activism,” (2016).
• Kafai, “Re-inscribing Disability: The Performative Activism of Sins Invalid” (2014)

• A. Thorne, “Framing a Blaxicana Identity: A Cultural Ethnography of Family, Race, and Community in The Valley Homes Lincoln Heights, Ohio, 1955-1960” (2012)
• S. Falero, “Everyone’s a Critic: Television Without Pity.com and the Dynamics of Audience Agency” (2011)
• T. Larkin, “The Vismistic Triadic of Activism, Artivism, Performativism: Performing Artistic Praxis as Aesthetic Identity” (2011)
• M. Cartier, “Baby, ‘You are my Religion’: The Emergence of ‘Theelogy’ in Pre-Stonewall Butch-femme/gay Women’s Bar Culture and Community” (2010)
• F. Avalos, “The two sided coin: an examination of on-line and off-line communication in social justice movements” (2009)
• N. Shaked, “The Paradox of Identity Politics as an Agent in Critical Art: 1970’s-1990’s” (2007)
• J. Lerner, “The Ruins of Modernity: The Maya in the Modernist Imagination, 1839—2003” (2006)
• D. Sandoval, “Bajito y Suavecito/Low and Slow: Cruising Through Lowrider Culture” (2003)

• Faculty Day: Documentary Panel, Faculty and Staff Resist Panel, May 2017.
• Chair Retreat, Brooklyn College: Organizer and session leader, May 2017.
• CUNY Haitian Studies Inst.: Screening and conversation with Arnold Antonin, May 2017.
• CUNY Grad Center: Class presentation for Teaching Race and Gender, May 2017.
• Teach@CUNY Day: Workshop leader, Practicing Feminist Pedagogy, May 2017.
• VHS Archive: Organize and hold community meetings, February, April, May 2017.
• Brooklyn Faculty and Staff Resist, Co-founder and organizer, 2017-present.
• BC Reponse Art Week: co-organizer, Spring 2017.
• Protest Film Screening Series: Co-organizer with Film Department, January-May 2017.
• Censored Women’s Film Festival: Co-organizer, Film and Women’s Studies, March 2017.
• BC Resistance to Trump Teach In, Speaker, 2017.
• Teaching with Technology Faculty Presentation: September, 2016.
• Chair, Film Department, 2016-present.

Program Reviews, Consults

• Borough of Manhattan Community College, Academic Program Review team member,
• Video Arts and Technology Program, April 2017.
• Smith College: Decennial Review Team, Sexuality, Women and Gender Program, 2017.
• Consultant, University of the Pacific, Media Studies X Program development, 2016.
• Evaluator: Swiss National Science Foundation Commission for Public Science
• Communication; Social Sciences and Humanities Research Council of Canada: 2011.
• Doctoral Program Evaluator, Becoming Media, for the Austrian Science Fund, 2009.
• WASC Accreditation Evaluation Team Member for Art Center College of Design, 2007, 2009.
• Team Member for Evaluation of Cal Arts, 2010.

Editorial Boards

• World Records Journal: Editorial Board, 2017-present.
• Catalyst: Feminism, Theory, and Technoscience, Editorial Board: 2015-present.
• Feminist Media Histories: Editorial Board: 2015-present.
• GLQ: Editor, Moving Image Section: 2008-2013.
• Cinema Journal, Editorial Board: 2003-8.

Panels, Screening Committees

• Peabody Award, Screening Committee Chair for Documentary Competition, 2017.
• Visual Resistance, Oversight Committee, 2017.
• Leman Manhattan Preparatory School, Student Film Fest, Judge, 2017.
• Herb Alpert Award Panelist: 2016.
• Peer Panelist, COLA Award, Department of Cultural Affairs, City of LA, 2013.
• Documentary competition judge, Outfest, 2002.

Community, Advising

• Watching/Making Race, Union Docs, Workshop Organizer, 2017.
• Magnet Media, Board, 2017-present.
• Prison Based Education with the Prison Education Project: 2014-2015.
• Queer Mentor SCMS Queer Caucus Mentor Program, 2010-present: 2 mentees/year.
• Project advisor, beta-testing: www.socratube.com and TheWebisodes.com, 2008.
• Resolutions3, Contemporary Video Art Practices, Advisory Committee, 2008-09.
• Women in the Director’s Chair 20^th Anniversary, Honorary Chairperson, 2000.

Outsider Evaluator for Promotion & Tenure:

U Michigan, Occidental College: 2017. CUNY Staten Island, UC Irvine, U Mich: 2016. So. IL, Rutgers, UCSB, CUNY Staten Island, Tulane, 2014. Bryn Mawr, Smith, Brown, 2013. Univ. of Toronto, UCSD, CUNY, Bennett College, 2012. FSU, 2011. Ohio & Bentley Univ., USC, 2010; USC, Syracuse, & American Universities, 2009; Boston University, USC, UC Riverside, 2008. Harvey Mudd, 2007. CU Boulder, Boston University, 2006; UCLA, Loyola Marymount, Harvey Mudd, 2005. American Univ., Irvine, 2004; UCSD, 2003; Occidental College, CGU, UCLA Art, 2002; Univ. of Rochester, UCLA, 2001; University of Denver, 2000.

Manuscript and Journal Reviews:

Indiana University Press, University of Michigan Press, Palgrave Macmillan, Southern Illinois University Press, Duke University Press, Cambria Press, University of Minnesota Press, University of Toronto Press, GLQ, Canadian Journal of Film Studies, Routledge, IJLM, Columbia University Press, Continuum Books, Rutgers University Press (2017), MELUS, First Monday, Ashgate Publishing, SAGE, Intellect Books, Journal of Television and New Media, The Scholar & Feminist Online, Media & Education in the Digital Age, International Feminist Journal of Politics, Rowman & Littlefield Intl., Journal for Artistic Research, NYU Press, New Media & Society, Bloomsbury, Oxford University Press, Univ. of IL Press, ASAP: Arts of the Present.

PerpiTube: RePurposing Social Media Spaces

• Artillery Mag 6:2 (Nov/Dec): “Featured Review: PerpiTube,” Christopher Michno, www.artillerymag.com/mini-reviews/.
• Inland Empire Weekly: “Viral Art,” by Jessica Druck: www.ieweekly.com/cms/story/detail/viral_art/4058/.

Learning From YouTube

• “Free Video Book from MIT Press Challenges Limits of Scholarship,” by Marc Perry,
• The Chronicle of Higher Education, March 20, 2012: chronicle.com/article/Free-Video-Book-From/126427
• “YouTube 101–Yes, It’s a Real Class,”Andy Carvin, learning.now, September 18 2007: www.pbs.org/teachers/learning.now/2007/09/youtube_101_yes_its_a_real_cla_1.html
• “Humanities Scholars Discuss Their Shared Mental Map for a New Age of Digital Communication,” Jennifer Howard: chronicle.com/article/Humanities-Scholars-Discuss/128282

Video Remains

• Christoper Castiglia and Christopher Reed, If Memory Serves: Gay Men, AIDS and the Promise of the Queer Past (Minneapolis: University of Minnesota Press, 2012): Chap 5.
• Roger Hallas, Reframing Bodies: AIDS, Bearing Witness and the Queer Moving Image (Durham: Duke University Press, 2009)

Women of Vision

• “Feminists on Film,” by Rachel Rinadlo, In these Times, April 30, 2001: www.inthesetimes.com/article/1489.
• “And Introducing…the Female Director: Documentaries about Women Filmmakers as Feminist Activism,” Kelly Hankin, NWSA Journal, 19: 1 (Spring) 59-88.

F is for Phony

• “F is for Phony,” by Michael Sicinski, Cineaste, 32:3 (2007): www.cineaste.com/articles/book-review-f-is-for-phony.htm
• “Where the Truth Lies: When Reality Ain’t,” Runn Sutton, Documentary (Feb 2007): 38-39.

Dear Gabe

• Educational Media Reviews online: Dear Gabe, Liza Flanzrich: 2006.